60% of *Kantara Chapter 1*’s music was recorded outdoors with rare instruments

Ajaneesh explains that *Kantara Chapter 1* stands out from conventional films, reflecting in his recording techniques. “We immersed ourselves in the local folk music, especially tribal sounds from Karnataka, recording a significant 60% outdoors,” says the composer. This choice enhances the authenticity and vibrancy of the soundtrack.

On whether studio recordings would have been simpler, he asserts, “The comfort of space matters, and studios often dim the authenticity. I spent three months in Kundapura, curating a soundscape that truly resonates with the film’s essence.”

Ajaneesh’s use of unique instruments adds to the film’s charm. “When introducing Lord Shiva, I aimed for a majestic sound. Unable to find a rudra veena, I opted for the gottuvadyam, a rare instrument that perfectly conveyed the depth I was seeking,” he shares, proud of the sonic journey he created.

A divine experience while composing *Kantara Chapter 1*

Ajaneesh emphasizes that the film’s music was not solely due to artistic choices. He recounts a pivotal moment: “While finalizing the climax, I hit a creative wall just days before the release date. I prayed to *Amma* (Chavundi) for inspiration.”

After a moment of rest and reflection, he experienced a sudden burst of creativity. “At around 4:30 AM, inspiration struck. Within half an hour, I completed the climactic music, driven by what felt like a divine presence guiding me,” he recalls.

As if in a personal touch of care, the studio owner brought him food around this time, further adding to the magical atmosphere. “It felt as if *Amma* was saying, ‘You’ve done your work, now take care of yourself,’” Ajaneesh concludes, deeming the music as a gift from the Daivas.