Rishab Shetty Discusses ‘Kantara: Chapter 1’ Without Ideological Bias
Not promoting any ideology or agenda: Rishab Shetty on ‘Kantara: Chapter 1’
Mumbai, the film “Kantara: Chapter 1” delves into themes of faith and spirituality, drawing from the vibrant folklore of coastal Karnataka. Actor-director Rishab Shetty emphasizes that his goal was not to anchor the narrative to any ideology but to craft a story that resonates with universal human experiences.
The Kannada film, set in pre-colonial Karnataka, highlights the struggles between local tribes and a tyrannical king. Released on October 2, it has globally amassed approximately ₹600 crore.
Shetty, in an interview, stated, “As a storyteller, I aim to be unbiased. We share tales about our folklore, Bharatiyata, and the nature worship beliefs we hold.” He further emphasized that the narrative does not promote any ideology, and audiences are enjoying it.
“Kantara: Chapter 1” is a prologue to the acclaimed “Kantara”, which garnered attention for its authentic storytelling and became one of the highest-grossing Kannada films.
While reflecting on his storytelling approach, Shetty expressed that he doesn’t wish to impose his thoughts on viewers. “Every individual has their experience of faith, whether in a temple or during personal rituals. We wanted to capture that essence,” he clarified.
Shetty’s relationship with spirituality runs deep, having grown up in a family that prioritizes worship as a routine. “I even perform puja on set before filming,” he shared.
Creating “Kantara: Chapter 1” posed challenges in framing the storyline. Shetty explained, “While ‘Kantara’ had a straightforward plot, this time, establishing character dynamics was complex,” he noted, expressing gratitude to Hombale Films for their essential support.
The actor-director acknowledged that the biggest hurdle was the lack of historical references for the film’s setting. His team dedicated significant effort to research and reconstruct the world of the past.
“We collaborated closely, especially focusing on design and costuming to ensure a visually captivating experience,” he outlined, adding that inspiration was drawn from temple designs.
Looking ahead, Shetty promises keen followers of the “Kantara” saga that more stories will emerge within this universe. “There are numerous tales yet to be told,” he concluded, hinting at starting work on his next film “Jai Hanuman” next year.
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