Exploring Unique Expressions in Film: Insights from EUFF Curator Artur Zaborski

Exploring Unique Expressions in Film: Insights from EUFF Curator Artur Zaborski

Interview with Artur Zaborski, Curator of the 30th European Union Film Festival in India

Artur Jósef Zaborski shares insights into the diverse films showcased this year.

This year’s European Union Film Festival (EUFF) is currently occurring, showcasing a wide range of notable European films in India. From October 31 to November 9, 2025, Delhi will screen 28 distinguished films representing all EU member countries and Ukraine before moving to Bengaluru and Hyderabad. Organized by the Delegation of the European Union to India in collaboration with various embassies and regional partners, EUFF 2025 provides Indian audiences an exclusive glimpse into Europe’s finest cinematic offerings.

Artur Jósef Zaborski discusses the rich selection of films showcasing cultures within the European Union.

Through this vibrant collection of European films, EUFF aims to enhance Indo-European cultural exchange, allowing audiences to explore diverse perspectives of Europe and its society. HT interviewed Artur Jósef Zaborski to discuss this year’s lineup, the selection process, and more.

(Excerpts)

Excitement for This Year’s Film Festival

This year’s festival reflects the full spectrum of European Cinema, showcasing the varied storytelling styles of the EU countries. The films illustrate the distinct cultural identities of each nation, highlighting different methods and perspectives in filmmaking. While the EU is often seen as a unified entity, this festival reveals the unique integrity and expressive styles of individual countries.

Emerging Trends in Selected Films

We focus on showcasing quality films above trends. Our aim is to present cinema that resonates deeply with Indian audiences. Each film has its unique theme and storytelling approach, which is evident in the festival’s lineup. One standout example is “The Swedish Torpedo,” highlighting female empowerment through a compelling narrative.

Conversely, we also feature films like “Grieving Underwater” from Luxembourg, addressing sensitive issues such as domestic violence. This dual approach reflects the multifaceted nature of life within the EU, showcasing both achievements and areas for growth.

Challenges and Rewards of Curating

Being a curator is a dream job for many film enthusiasts. You get to watch and select outstanding films, making it an exhilarating experience. However, the challenge is in limiting selections to just 28 films when there are so many admirable candidates. Choosing a single Polish film was particularly tough for me, given my background.

The film we selected, “It’s not my Film,” beautifully captures Poland’s landscapes and culture. Having traveled to India previously left a lasting impression on me. This festival offers a chance to explore cultural differences that enrich our understanding and connection with one another.

What aspects of the European Union Film Festival are you most excited about? Feel free to share your thoughts!

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