Rakeysh Omprakash Mehra: How Locations Become Key Characters in My Films
The filmmaker looks back at iconic locations that became cinematic landmarks
What are your thoughts on how locations influence storytelling in film?
On World Tourism Day, filmmaker Rakeysh Omprakash Mehra reflects on significant locations that have left their mark in his films.
Mehra shares, “Locations emerge from the script. When I write, I include the location details intuitively. I explore the chosen place, soak in its essence, and adjust the script accordingly. Locations truly become the third character in my films.”
For *Rang De Basanti*, India Gate was essential. It’s where the group salutes and also where the significant candlelight protest against corruption took place. As a Delhi resident, it was the obvious choice—symbolizing the sacrifices made by martyrs during the world wars. Notably, some scenes were filmed at the Golden Temple, marking it as one of the early films to showcase that iconic location. Nahargarh Fort, recognized for its picturesque setting, features in the song “Masti Ki Paathshala.”
Mehra’s roots in Old Delhi are evident as he recounts his childhood experiences in Chandni Chowk. This area, rich with cultural landmarks like temples, churches, and masjids, provided a backdrop that shaped his imagination. The diversity and vibrancy of Old Delhi were central to the narratives explored in *Delhi 6*.
In the making of *Bhaag Milkha Bhaag*, recreating the 1950s required finding authentic locations in Haryana, featuring natural mud tracks instead of synthetic ones. Mehra emphasizes the benefits of training at high altitudes, which is why Ladakh became a filming site. This area is now home to the “Bhaag Milkha Bhaag point,” showcasing the film’s legacy.
For scenes representing pre-partition India, Mehra filmed at a village near Fateh Pur, Pakistan, emphasizing that the authenticity of locations greatly enhances the narrative.
What are your thoughts on how locations influence storytelling in film?
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